Trump Attends Melania Documentary Premiere With Wife
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New York Magazine on MSN
Making the Melania Movie Sounds Like a Nightmare
Crew members say they did not love the “propaganda element,” but the “worst part” was Brett Ratner’s gross behavior.
To all the aspiring documentary filmmakers with cameras in your hand, passion in your heart, and a brain screaming, “God! Where do I start!” Take a deep breath, because it only gets better from here. Working with real-life topics, shooting with real ...
Direkt36 co-founder Andras Petho speaks about how an investigative documentary became a rare viral success, what it revealed about Viktor Orban’s Hungary, and what other small newsrooms can learn from its impact.
New York Magazine on MSN
Will the Melania Movie Flop? Ticket Sales & What We Know
Why did the notoriously private First Lady film a Brett Ratner–directed documentary? It might have something to do with the $28 million paycheck.
EXCLUSIVE: A new feature-length documentary exploring the making of Stanley Kubrick’s seminal Vietnam War film Full Metal Jacket has completed filming in London, New York, and Los Angeles, with the film’s star, Matthew Modine, on board as a producer.
Irish Star on MSN
Melania Trump facing 'eight-figure loss' on documentary after making 'huge blunder'
EXCLUSIVE: As Melania Trump’s documentary struggles to attract audiences, a PR expert explained why the First Lady could face a financial loss if momentum doesn’t pick up
5don MSN
How John Wilson's 'The History of Concrete' Became A Reflection of Life as a Documentary Filmmaker
"The History of Concrete" is a documentary that, at first, seems to be exactly what it says on the tin. A documentary about a building material. But when the film is made by John Wilson, you know there's clearly more to it.
A fly-on-the-wall documentary about the making of an $120 million movie that nobody saw and even fewer people liked, Mike Figgis’ “Megadoc” — shot on the Fayetteville, Georgia set of Francis Ford Coppola’s “Megalopolis” — boasts all the ...
The film's approach to its subject matter is rather scattershot, as it moves from one idea to another with shaky justification — the all-too-common "box-ticking" nonfiction approach. Some of its interviews feel like wasted opportunities; Helen Molesworth ...